Խ․ Աբովյանի անվան հայկական պետական մանկավարժական համալսարան
The article provides a semiotic analysis of the types of totalitarian culture and its manifestation in art, both classical and modern. On the basis of totalitarian culture semiotic analyses, it is shown that mass culture (and its attributes) may be considered a modern type of totalitarian culture. Particularly, the antidogmatic and antitotalitarian essence of the contemporary art phenomenon is highlighted. Based on the semiotic methodology, a key moment of demarcation between contemporary art and the „totalitarian‟ one has been emphasized. The conclusion about the inconsistency of signs and symbols of contemporary as compared to totalitarian art has been drawn. Contemporary art could be referred to as a tool for tracing, revealing and even combating totalitarianism in culture and life.
Երևան
oai:arar.sci.am:372155
Apr 16, 2024
Apr 2, 2024
1
https://arar.sci.am/publication/402074
Edition name | Date |
---|---|
Ukhov, Artem, Contemporary Art vs Totalitarian Art: Semiotic Analysis | Apr 16, 2024 |
Bezirganyan, Vahan
Lazer-Pankiv, Olesia Stefanova, Nataliia Korolova, Nataliia
Levcheniuk, Yeveniia Vlasenko, Fedir Tovmash, Dmytro Kotliarova, Tetiana Rykhlitska, Oxsana Napadysta, Valentina
Giuliodori, Lucio Notina, Elena
Giuliodori, Lucio Boldyreva, Aisana Bobunova, Anna Boranenkov, Vladislav Notina, Elena
Giuliodori, Lucio Uliumdzhieva, Valentina Notina, Elena Bykova, Irina