Object structure

This article examines the artistic interactions between Armenian filmmaker Sergey Parajanov (1924–1990) and Georgian photographer Yuri Mechitov (b. 1950), focusing on their collaborative experiments in photography and collage during the late 1970s–1980s. While Parajanov is internationally recognized for his films, particularly The Color of Pomegranates, this study highlights his creative partnership with Mechitov, whose portraits and documentary photographs reveal new aspects of the director’s artistic persona. Drawing on interviews, memoirs, and photographic archives, the paper analyzes how Parajanov staged his image before Mechitov’s camera, turning everyday gestures into visual allegories. Special attention is given to how Mechitov’s photographs became sources for Parajanov’s collages, where single images were transformed into layered works of visual poetry. The discussion shows how Mechitov’s documentary practice intersected with Parajanov’s surrealist sensibilities, creates a corpus that transcends the boundaries between cinema, photography, and visual art. By examining these collages, the article shows that Parajanov emerges as a versatile artist whose creative range extended beyond cinema to include collage, photography, painting, and other forms of expression. The study presents only one example of these facets, underscoring the multidimensional nature of his artistic identity.

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