@misc{Ղուկասյան_Մարո_Հակոբ,
 author={Ղուկասյան, Մարո},
 address={Երևան},
 howpublished={online},
 publisher={ՀՀ ԳԱԱ «Գիտություն» հրատ.},
 abstract={Throughout various historical periods, authors have often opted to use pseudonyms or remain anonymous when creating their works. This prompts the question of why an author would generally choose to present themselves under a pseudonym or a nickname. The reasons behind the adoption of a pseudonym are multifaceted and vary according to the individual writer’s circumstances: simplification of a lenghty name, the need to differentiate oneself from a writer with a similar or identical name, the concealment of ethnic identity, the desire for becoming famous with a more evocative name, concerns regarding privacy, the author’s public status, the constraints of censorship, etc. The renowned satirist Hakob Paronyan also signed the majority of his works and articles under pseudonyms or published them unsigned. This article specifically examines pronoun-pseudonyms and several other pseudonyms of newly found works in the satirical newspapers “Meghu” (“Bee”) and “Tatron” (“Theatre”) that remained unattributed to Paronyan for years. The study analyzes the motivations behind Paronyan’s use of these newly identified pseudonyms, provides quantitative statistics on their application, and highlights inconsistencies and potential reasons for their usage.},
 title={Հակոբ Պարոնյանի մի քանի ծածկանունների շուրջ},
 type={Հանդես},
 keywords={Բանասիրություն},
}